In the sixth installment of the Criterion Channel's Meet the Filmmakers series, director Alex Ross Perry (Her Smell, Listen Up Philip) visits the ever-iconoclastic auteur Paul Schrader during the making of his 2017 masterpiece First Reformed. On set and at home- where, for his own pleasure, he continues to work and rework his previous films- Schrader reflects on the highs and lows of his legendary career, the challenges and rewards of slow cinema, and the influences and experiences that continue to shape his approach to filmmaking. With this insightful portrait of one of his filmmaking heroes, Perry captures an artist who is continually at play, intentionally provocative, and never less than vital.

Plot details are under wraps.

One-sided love is like a seed quietly planted in the stomach. It awakens slowly, sprouting and blossoming, by the hair behind the neck, by the itch of wind-tossed hair brushing across fingers. That itch becomes a desire, a desire to reach to the other side…

t's Ginger Shapiro's wedding day. It's going to be perfect even though she's eight-months pregnant, been robbed, kidnapped and thinks her fiancé Henry is dead - he's not - and then there's her grandmother's curse! It's a race to the altar in this escalating comedy of errors where Ginger and Henry might just stand a chance of living happily ever after.

Flighty Emily "Jacks" Jackson works for the British edition of Vogue magazine. Rather than pursue a relationship, Jacks regularly hooks up with her devoted ex-boyfriend, James Wildstone, and lives with Peter Simon, a gay screenwriter. When Jacks meets Argentinian photographer's assistant Paolo Sarmiento, she assumes he is gay and tries to bring him and Peter together, unaware that Paolo is straight and in love with her.

Ville, 25, is a downbeat former child star who's successfully avoided his womanizing rock 'n' roll dad for years. Everything changes when his dad moves into his flat and they both fall in love with the same American line-dancing teacher.

A drama, set in St. Louis in 1950, concerning an American family and the first courtship and sexual awakening of the teenage son. Ben Griffin lives with his widowed mother and beautiful 22-year-old sister, Dodie. The restoration of the family's affluence seems to hinge on Dodie's romances and hoped-for-marriage to a wealthy husband. But Dodie's ambivalence toward the rich and eligible Sonny confuses and upsets Ben. He wants to trust and believe in love, but worries that he may never find a girl to understand his romantic ideals.

A man and a woman have completely lost touch with the outside world - that is until the woman takes one last desperate measure to erase the pesky memory that ruined their lives.

Gary Kent was the king of B movies in the Sixties and Seventies, working for indie directors from Richard Rush to Ray Dennis Stickler to Al Adamson, but he's tackled even larger real-life challenges.

Through a series of dreams and visions, a woman begins to suspect mysterious forces have altered reality and she may be at the center of it.